Previously on Revolution: Plague Dogs
I’m not sure if there has ever been a dystopian, pseudo-post-apocalyptic television program that was as laugh-out-loud funny as Revolution is. The laughs probably aren’t always (or ever) intentional, but if you’re a fan of Acting Facial Expressions 101 and sudden and inexplicable plot twists, you’ll have a good time.
And if you’re a sappy, science-fiction dreamer who doesn’t know how to let a corny show go, then stay away.
Well, in this episode Charlie and company finally catch up to her captured brother Danny – only to lose him again. This all goes down in a little town energized by the presence of a big train. There are some confrontations: Charlie and Neville meet face-to-face for the first time, Miles and Neville fight, and not-Nate heroically defies Neville’s orders to help Charlie escape.
Got all that? Don’t worry; even if you skipped this entire episode, nothing much actually progressed. The biggest progression probably falls in the arena of “character development.” Nora realizes the fun of exploding things isn’t worth it if it costs human lives. Pre-blackout Neville realizes it’s okay to hit humans (not just punching bags) when your family’s life is at stake. Charlie realizes frowning, whining, and complaining 24/7 have been getting her nowhere, so she decides to toughen up and (presumably) get more interesting.
And in the end, two actual story developments popped up. Remember not-Nate? His name is Jason, and he’s actually Neville’s son! Also, Monroe gets Rachel to confess that there are 12 secret necklaces that will help turn the power back on. A hunt for an unwieldy number of objects that will probably take the whole season, if not longer? Sounds like J. J. Abrams! (Or Harry Potter – hello, horcruxes.)
Just call me, Charlie, right? So, yes, I’m having trouble keeping the negativity out of my analysis of this show – I can admit that. You know what I think it is? This show is so close to approaching greatness (and by close I mean . . . in the neighborhood. Or at least in the same state). In my not-very-humble opinion, I think television needs more programs that push the boundaries of what we think is drama, what we crave as human interaction, and what we consider as a philosophical approach to the moral dilemmas we face every day. Is Revolution doing any of those things? No, not really, but it has the premise and the back story to achieve something close – burdened down, of course, by the character development and the plot progression of a slow-moving train to hell. I don’t know. After five episodes, I guess it’s still a draw.
Can You Handle It?
There’s an amazingly brilliant article from Market Watch writer David. B Wilkerson about problems Revolution and NBC may be forced to face in the coming weeks. Wilkerson writes, “Revolution is the kind of series that demands that its audience pay a lot of attention and think hard about each episode, as the ABC program Lost did so well . . . That sort of program may be too much for viewers who lead stressful daily lives.”
Oh, man. This world we live in. On this quote alone, I have reason to keep watching.
Revolution takes a break next week, but it’ll return Monday, October 29.
Hayley has other interests besides just nerdy TV shows. She also is a big fan of thinking. She ponders the great mysteries of life, like how more of her time can be devoted to watching those nerdy TV shows.